Sunday, 2 December 2012

Doubt

That flipside of hubris.

Again, this blog is nothing if not a true -to-life representation of the story of this project and,from time to time that means expressing misgivings about your abilities. But doubt is quite deceptive. It isn't always questions and insecurities but often self-criticism. What's the source of my misgivings? | debut this project in two weeks. It goes live, so to speak. lt will be the first time that I leave the security of talking about the project and keeping all my notes to myself and go out to do it. And that's fundamentally scary. Not least because it means that this blog will be over just as soon as it begins! Because if I get up there and there's not a jot of interest, not a smidgen of bother and intrigues are defiantly un-piqued then my entire mission has failed.

Nobody can be particularly disappointed with themselves if they fail at something that can't be done. Nor can they if they give it their all. Nevertheless, in the aftermath of failure these things aren't clear at all. Certainly my project is achievable in my own estimation, or I wouldn't attempt it. The failure would lie in the estimation if my own capabilities, which would feel tragic indeed.

So let me focus on what I think I, or a person seeking to salvage anything from the husk of this project should it fail, need to successfully run a project like this. Then I can use those qualities as a base for me to explore the doubts I have.

The quality I keep coming back to again and again is charisma. Why do I need charisma? Well, if you're going to teach something which is usually greeted with contempt and derision, you need to be able to strike that connection that makes people want to hear you out. Let me take you to my ever giving Muse, TED. Here is a place full of people taking their fields, often obscure and esoteric, to the public. As a member thereof, I can tell you the are subjects that I have openly mocked before watching a talk about them only to be in awe 15 minutes later. Examples particularly pertinent are this talk about classical music, that cliche of irrelevance, or this, connecting the young with performance poetry which is surely the teen's nightmarish vision of hell, combining public performance with authentic self expression. I cringe now at the thought, having left high school a half decade ago. Yet when I watch it, I want a go. I'd put that down to the charisma and charm of both of those people. I could affect their expressive speech but it would not be authentic, which is the difference between being affectatious and truly expressive.

Perhaps because the quality is so... basic to a person. By that I mean it's not so much a characteristic of someone but an emergent quality that comes from a mixing of that person's characteristics. It's a synergy thing. So, ultimately, it's not something you can learn. Like the way you can learn jokes but not to be funny. People of all shapes and sizes can be charismatic, so it's not like confidence, which can at least be projected or enhanced by getting a makeover from Gok. Faking it 'til you make it is not an option.


The other thing you need is good material. You need to make sure you have the right stuff, which is hard for me to discern as it's a skill I will have to acquire having never been asked to do anything original before. With essays and things, you're given a stimulus that can guide you in your pursuit. With this, I'm kind of on my own. This is liberating but the price of freedom is constant terror, to paraphrase. I am simply unaware of anyone or anything trying to do what I'm doing in through way I'm trying to do it. And at this early stage, you won't know how good it is until it's out there. Which is recursively bringing us back to doubt.

Another thing you need is luck, and a lot of it. I've had mixed luck, because I don't have to hand the skills base I need to fully set this up the way I envision it, nor the money to source them. Of course, the good of this is that I have had the opportunity to gain substantial help and expertise from those I hadn't known beforehand. But that serves the point even more. Essentially, you need luck in your potential collaborators (bad luck has meant I am largely alone on the subject matter) and you need luck that you'll have just enough people who are interested in receiving it. In this, I have had some success but that remains to be seen.

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